Ad lux tenebrae (also known as K Svetu T'my) first full-length album. Ad lux tenebrae - well-known masters of deep ritualistic Dark ambient from north of Riphean Mountains. Great powerful sounds from Primeval Ural Woods. To create music they use original musical instruments - bubens, handmade drums, blowing horns, flutes and others instruments made by musicians theyself and have no name. Disk contains two live recorded Rituals, each of them was played in this form only once and never will be repeated. First Ritual is fast, intense, rhythmical and disquiet. Second is appeased tranquil quiet. "The Call of the wild" - this is about one hour of archaic and ritualistic music in total.
Quote from the label: "Ghanood is new album of Ad Lux Tenebrae played in collaboration with 121 of Closing the Eternity. One more then half of hour long track. 100% organic & synth-free ambient somnolent meditation with strings, bells, drones, bowls, chimes & rainsticks."
Limited to 200 copies.
Quote from the label: Bolverkstorm it is the name of new russian industrial project. “9 steps to death” is dedicaded to World War II and all those who perished thereat. Album consists of 8 tracks, each of them is about tragedy of soldiers death and act of bravery as well. Music of Bolverkstorm is made of hum of battles, archival records, blustering soundscapes, noises, groans, wardrums and trumpets.
Seid is a debut album by "Vazhes", a side-project of Sergey Gabbasov. In popular etymology of the Permian Komis "aged people" ("vazhes", "vazh otir") means an ancient, very old people. The Permian Komis call "vazhes" some early population of the Upper Kama, which is supposed to have disappeared when the "new" ("wil") people of the Permian Komis arrived to these lands. This old population is also named "chud'" ("chuchkiie", "chudskoy otir").
The album consists of 4 tracks two of them - "Seid" and "Krishna" - have been realized by "Vazhes". The second track is a collaborative work by "Vazhes" and "Fanum" the forth is made jointly by "Vazhes" and "Akpan". The album is dedicated to the violent struggle between the contemporary chaotic society and the eternal natural harmony, embodied in traditional cultures. Cover picture made by Hærleif Langås ("Northaunt").
Two long tracks - Ceremonial & Death. Hollow, oppressive, ritualistic and meditative sound. VELEHENTOR is solo-project of well-known Russian industrial artist named 121. Besides VELEHENTOR he also has CLOSING THE ETERNITY and some collaborations with another prominent Russian artists - AD LUX TENEBRAE and VISHUDHA KALI. A whole dozen of VELEHENTOR albums and EPs was released by Drone Records, Epidemie Records, Infinite Fog Productions, Eternal Pride Productions and others. One side of VELEHENTOR's music is harsh noise, power electronics based on concept of big man-triggered calamities - dead cities in zones of ecological disasters, nuclear bombardments, terroristic attacks, the forsaken phantom-settlements among the others.
Another side of his music is static and absolutely unhuman drone ambient, e.g. audio records of northern lights. Finally, music of VELEHENTOR is based on shamanic music of north native folks and Tibetan ritual tradition. This record is deeply ritualistic and shamanic. It is musical broadcasting of Eternal Primordial Murk. It is the echo of the wind howling from beyond the reality. Two chthonic, trancey and hypnotic audio-rituals. Only ritual acoustic instruments were used for this session - dung chens, dung dkars, rkang glings and rol mo, as well as some make-shift percussions and copper bells.
Dark/drone ambient very ritualistic and with some ethno-noise influences. This opus consists of 4 long ritual tracks recorded with sounds of breathing and vocals, acoustically processed through natural and exclusive equipments. Music of this album was heard by author while long sojourn far in Caucasian mountains at the shore of partly ice-covered alpine Psenodakh Lake (Fisht-Oshten pass). Psenodakh means "lost in the middle of moutains". Vishudha Kali presents hymns to the nature mysteries kind of wind, water, stonefalls, wild animals and birds as well as chants on Sanskrit.
Firstly album was released at Vishudha Kali's own label Fight Muzik with limitation of 333 copies. New release limited to about 350 copies. CD contain 4 tracks. Fourth track includes two parts: Vishudha Kali song named “Ritual from fire” and song “Haidakhandi Aarti Sankirtan” - very rare archive record of Hindustani saint Mahavatar Shree Haidakhan Babaji made by officiary of Soviet Embrace in India. It was previously published only on die hard edition of this album as additional CD-r limited to 33 copies.
Exquisite gold-surfaced CD comes in hard crafted cardboard sleeve with eight-page booklet in semi-transparent vellum cover.
Vresnit presented its first CD-release contained ecstatic & exploring records made in the fall of 2008 and remastered in winter-spring 2009. Vresnit is the project of one man working for artistic embodiment of the creative rotation within the label Vetvei. He was formerly known as ruler of Kerpg label, Pugna, Vagranok, Nrodum and other projects, now ceased their activities.
Deaf thickets and swamps, heaven ravines, lost voices, unseen birds. Eternal mosses, lichens, fog and ancient trees. The path lies deeply through the thickets and higher to the sun, meeting with ancient human-animals, keepers of the Book. Majestic and archaic canvas neither begins nor ends, woven by the Sledge of Three-Worlds-Animals. The Words of scratches, beats, rings and rustles - all goes into vibrating flow of crudely woven muscarinic Shamanic Drone Ambient atmosphere. Tunvet appears as primitive experience for co-breathing with Earth, diving into the twilight forest and flowing into its beyond. Slow and endless movement in a Circle that appears as Eternal Order. A Myth of the World-Man Creation, a dreamflight, a meeting with the Forest Spirits preying on the flesh and substituting it with metal and stones, giving life to the Ancient Co-knowledge.
Created using field recordings, voices and woodwinds, metal gongs, percussion and "concrete" sounds. Gripping, saturating and transforming experience of raw wind, celestial chariots and chthonic naturalism.