Quote from label: "“War Metal Massacre,” the band’s sixth album, but only the first since its debut to follow in the Minas Gerais deathcore tradition. Although it is short by modern standards, this album overcompensates in intensity for what it lacks in length, delivering one of the most remarkable and authentic recordings of a reunited metal band in memory. The first three songs, which comprise Side A of the LP version, are re-recordings of the “Massacre” demo track from 1985 and the two tracks first committed to tape on the “Warfare Noise” compilation from 1986. A quick comparison between one of these reinterpreted songs and its original version immediately verifies the band’s return to its roots. Even more importantly, the three new songs on the album confirm Holocausto’s ability to have recaptured its original, feral songwriting capacity. Immediately following the ominous air raid sirens of the intro to Side B, “Eu Sou a Guerra” launches into the same unbridled havoc that characterized their early recordings and one which reflects the orchestrated chaos of true warfare. This aural fury, which appropriately earns the band’s sound the often-misplaced moniker of “war metal,” continues throughout the remainder of the album, a fact which is certain to please the strictest conservationists of old Brazilian black metal. In short, “War Metal Massacre” heralds the second-coming of a band and sound that until now had been expected to exist only as a relic of the past".
Quote from label: "Uncertainty has always loomed over Holocausto, and it wasn’t clear when, or if, the band would record again, but they have again assembled to produce a new demo. Recorded with the classic Campo … lineup (Armando Nuclear Soldier replaced Nedson Warfare on drums for this new demo recording), Guerra Total displays an even more genuine 1980s Brazilian sound. Recorded live using open air mics, this demo is raw and menacing in the very same way that the band’s earliest recordings were. Operating in militaristic uniformity, Holocausto’s performance is brilliant and brutal. The riffs are sharp, weaponized. This is the sound that Holocausto and their peers should have produced in the 1990s had they not been derailed. Quite simply, this may very well be the most authentic approximation of the mid-1980s Brazilian sound produced since that era".
2nd pressing with black shell and silver printing.