A live recording from the Ritual Performance of the Fruits of Yggdrasil album material London 19.09.2009.
For the first time Freya Aswynn and Patrick Leagas collaborated live nearly twenty years after the original album was recorded.
Presented as a full color picture disc including printed information flyer/poster.

Folk
Label : Kenaz
Country : United Kingdom
Year : 2010

1st full length

Black Metal
Label : Oration
Country : Portugal
Year : 2018

Japanese Kamikaze Metal vs. Old School Macabre Death Metal! Exclusive tracks from both bands.

Black/Thrash Metal
Label : Drakkar
Year : 2006

with printed inserts - First album since the reunion! Luxuous edition.

Black Metal
Label : End All Life
Country : Austria
Year : 2007

Reissue of ABIGOR's part from the 2010 split album with BLACKLODGE.

Revisited layout and a quality cut by SST for optimal audio experience.

Black Metal
Label : End All Life
Country : Austria
Year : 2018

Deluxe Edition, Black vinyl
+ A2 poster

Black Metal
Label : Dead Seed
Country : Italy
Year : 2014

“Something for Nobody” is a 3 volume limited edition LP set celebrating ABORYM's 25 years of industrial sonic militancy. Vol.1 offers 5 unreleased sky scraping remixes and covers from ABORYM and part 1 of the Something For Nobody soundtrack as part of the Sakrifice motion picture film score. This collection of recordings is the legacy of a band that is constantly on the run and ahead of its time, breaking down barriers and evermore pushing further the sonic frontiers of a genre it has set for itself and going places where few dare venture.

Recorded at SYNTHESIS recording studio under supervision of sound engineer Andrea Corvo.
Featuring valuable collaborations and guests with artists Keith Hillebrandt (Nine Inch Nails, David Bowie, U2, Useful Noise…), Angela Martyr, Deflore, Luciano Lamanna.

Limited edition LP, comes on white vinyl housed in an elegant die-cut cover printed on reverse board, with printed innersleeve and a 12"x12" 4 page booklet.

Industrial Metal
Label : Dead Seed
Country : Italy
Year : 2017

Official re-issue of legendary album.
Black vinyl, 140gr
350gsm jacket with matt lamination, gold inside flood and gold ink print
A2 poster and insert
All assembled in plastic bags

Black Metal
Label : Inferna Profundus Records
Country : Sweden
Year : 2018

Quote from label: "Across Tundras both crush and soothe with expertly conjured sonic doses of ambient doom, vintage psychedelic rock and haunted folk. For fans of Black Sabbath, My Bloody Valentine, Hawkwind, Earth, Neil Young, Neurosis, and Pink Floyd.
Released on CD by Saw Her Ghost Records in 2008, this master piece is finally available on vinyl, a gatefold 2xLP for a 500 copies press (200 copies on orange wax, 300 copies on black)".

Doom Metal
Label : Music Fear Satan
Country : USA
Year : 2010

including 2 posters + insert - Brutal Black/Death with huge sound meets dirty Black/Thrash. Excellent !

Black/Death Metal
Label : Agonia

10" + printed innerbag

French Old School Death Metal at its best!

Limited to 500 copies.



Death Metal
Label : Gospels of Death
Country : France
Year : 2014

Quote from label: "Intense emotional Black Metal from the Vosges Mountains, a crescendo fall into anguish and pain."



Black Metal
Label : Deaf Death Husky
Country : France
Year : 2016

- 300g Jacket With 3mm Spine And Matt Lamination
- 140g Black & Gold Vinyl
- 12 Page Booklet On 250g & 150g Rough Paper Matt
- Limited To 500 Copies

A New Brotherhood Formed By Members Of
Anael, Hellish Crossfire And Mosaic
Crafted An Unquie Manifesto Of Okkvlt Death Metal
Taking The Listener Back To The Ancient
Mythology Around The Aegean Sea.

Mixed And Mastered At The "Temple Of Disharmony"
Featuring Guest-Appearance By Drakh (Katharsis) On Hammond Organ.
Advanced 12 Page-Booklet Illustrated By "Misanthrophic Art".



Black/Death Metal
Label : Iron Bonehead
Country : Germany
Year : 2012

2019 reissue including a 7" EP

Master Italian Black Metal

Black Metal
Label : End All Life
Country : Italy
Year : 2019

Impressive new album of occult music!

Experimental
Label : Norma Evangelium Diaboli
Country : France
Year : 2016

Fast and epic Black Metal about canadian and inuit legends.

Black Metal
Label : Impious Desecration
Country : France
Year : 2017

+ insert

Raw and obscure Black Metal. Members of EMPTY.


Black Metal
Label : Ishtadeva
Country : Spain
Year : 2009

Pentecost III' was recorded at the Academy Studios in Yorkshire UK and was released in CD format only in early 1995. It featured a reworking/re-recording of the Memento Mori track from the 'Iliad of Woes' demo, plus the hidden track '666'.

This was the last Anathema release that vocalist Darren White appeared on.

This is the first vinyl edition of 'Pentecost III', having only reached the test pressing stage originally, and is presented on 180-gram black vinyl with a printed lyric inner sleeve. The album was digitally remastered at Transfermation in 2004.

The original test pressing was for a vinyl EP version of Pentecost III that had a different track order than this LP, and fewer tracks.

Track B3.2 is not mentioned anywhere on the release.

Doom Metal
Label : Peaceville
Country : United Kingdom
Year : 1194

2013 luxuous edition of this classic!

Doom Metal
Label : Peaceville
Country : Algeria
Year : 1996

Second demo from this occult french band, four titles of darkness with dark-ambient parts. White vinyl, limited to 500 copies.

Black Metal
Label : Necromancer
Country : France
Year : 2008

Tracks A1 to A4 recorded in Studio Urkaos, Torsång, Dalecarlia, 2006.
Previously released in 2012 on cassette by Total Holocaust Records.

Track B is listed as 'Christ's Dawn Vel Canta Symphoniæ Sacrosanctæ Phasmatvm Exseqvialivm' on the back cover.
Recorded at the dawn of Roman Catholic Black Metal, Old Malacht Studios, October 2004, "under a waxing moon the eight month in the 5765th year".
Final additions, N-track old old God, "the night when the eclipsed full moon became as blood", hours before dawn, the 13th of Cheshvan.
Mastered at DB Studios, insequenti anno.

Ars luminis MXII

Includes double-sided insert.

Black Metal
Label : Barghest
Country : Sweden
Year : 2013

Noise experimentations. Nice layout with serigraphed cover. Limited to 200 copies.

Noise
Label : Red Light Sound
Country : USA
Year : 2009

Quote from label: "L’esprit des vents, third album from the trilogy started with La Croisée des Vents (2007) and followed by La Cité des Vents (2010), mark the band’s return after 7 years of discographic absence and 10 years of existence. The album is built on a desire of continuity, yet in the same time a will to break with what has been done : a more elaborated sound, an assumed maturity. The subjects are once again local, regional and occitan legends and tales, but also story of famous smugglers or belligerent figures who marked some periods of our country".


Label : Les Acteurs de l'Ombre
Country : France
Year : 2018

Quote from label: "contains 11 nighttime tracks brimming with rhythmic switchbacks and momentum swings that push darkness into strange and intriguing corners. The record replaces ANO's riotous rollicking with shadowy landscapes of grim sound that encapsulate the band's eccentricity. From the psych-rich shake of "Turn on Your Mind" and "Human Toad" to the death-ride kick of "Up to the Sky" and "Crystal Man" through to the twisted take on the 13th Floor Elevators' "Roller Coaster", AQUA NEBULA OSCILLATOR's Spiritus Mundi plays like a haunting dream of dark and disturbing things, offering a can't-miss masterclass on the emotional possibilities of sound."

Rock
Label : Tee Pee
Country : France
Year : 2013

12" LP on gold 180gr. vinyl. Gold print on burgundy cover, with matt finish.
Limited and hand-numbered edition of 250 copies.
Comes with download code.

Indus
Label : Equilibrium
Country : Sweden
Year : 2015

New masterpiece after ten years of silence. A must have!

Black vinyl version.

Black/Death Metal
Label : Les Acteurs de l'Ombre
Country : France
Year : 2017

Belgian black metal. Lim. 500 copies.

Black Metal
Label : Immortal Frost
Country : Belgium
Year : 2016

Unholy alliance from this two acts! Black vinyl edition limited to 400 copies.

Black Metal
Label : Obscure Abhorrence
Country : Belgium
Year : 2015

with printed inner sleeve - Post-Harcore.

Hardcore
Label : Several Bleeds
Year : 2006

A vicious mix between black metal and noise. Recommanded. Limited to 500 copies.

Black Metal
Label : Unexploded Records
Country : Sweden
Year : 2007

2013 reissue

Death Metal
Label : Peaceville
Country : Sweden
Year : 1993

“Take a breath. Drink a beer. Smoke weed. Relax. Drink another beer. Push the volume up. Press play. Explode. Get fuzzed.” These are the words that ATOMIC TRIP live by and for good reason – this band fucking rules! These DOOM warlords have created the Instrumental Doom album of the year entitled Strike #1. Over the course of 40 minutes, this band proves that they can’t be fucked with when it comes to creating riffs that kill on contact. What I love about this record is how they are able to manifest such dynamic songs without using vocals. ATOMIC TRIP’s tunes are the perfect soundscape for your mind to run wild in a HEAVY NEVER-NEVER-LAND! CVLT Nation must salute these Doom Warlords for creating the best Instrumental Doom album of 2017…Now all you have to do is release it on vinyl or cassette, PLEASE!" - CVLT NATION

Green vinyl version.

Doom Metal
Country : France
Year : 2018

“Take a breath. Drink a beer. Smoke weed. Relax. Drink another beer. Push the volume up. Press play. Explode. Get fuzzed.” These are the words that ATOMIC TRIP live by and for good reason – this band fucking rules! These DOOM warlords have created the Instrumental Doom album of the year entitled Strike #1. Over the course of 40 minutes, this band proves that they can’t be fucked with when it comes to creating riffs that kill on contact. What I love about this record is how they are able to manifest such dynamic songs without using vocals. ATOMIC TRIP’s tunes are the perfect soundscape for your mind to run wild in a HEAVY NEVER-NEVER-LAND! CVLT Nation must salute these Doom Warlords for creating the best Instrumental Doom album of 2017…Now all you have to do is release it on vinyl or cassette, PLEASE!" - CVLT NATION

Black vinyl version.

Doom Metal
Country : France
Year : 2018

Black vinyl 2014 edition

Death metal masters!

Death Metal
Label : Peaceville
Country : USA
Year : 2011

Religious black metal, very original and captivating. Featuring Mikko Aspa (Clandestine Blaze, Grunt...) on guest vocals. Heavy cardbord gatefold, limited to 250 copies.

Black Metal
Label : Kult Of Nihilow
Country : Germany
Year : 2011

The fourth full-length of these occultists from Texas. A masterpiece of Black Metal with a killer artwork.

Black Metal
Label : Ajna
Country : USA
Year : 2008

Quote from label: "After their first full lenght record released in 2012 by Radar Swarm Records and a split LP with YEAR OF NO LIGHT, here is the BAGARRE GENERALE sophomore album. Since five years and some lineup changes, the music of BAGARRE GENERALE becomes harder and more aggressive with a heavy drums-bass section still guided by ethereal guitars and loud brass instruments which make the band unique. The three long tracks are a real trip to the band universe and sound like a post metal soundtrack composed for a an old peplum movie."

Post-Rock
Label : Music Fear Satan
Country : France
Year : 2017

Brilliant first album, a must-have of finnish black art. Reissue.
Vinyl reissue.

Black Metal
Label : Northern Heritage
Country : Finland
Year : 2014

Quote from label: "Re-issue of classic Baptism release that was originally very limited mcd and lp."

Black Metal
Label : Northern Heritage
Country : Finland
Year : 2014

Limited to 500 hand-numbered copies, all on purple marble vinyl.

Side A was originally released as The Lord Diabolus demo cassette Down There....
Side B was originally released as the Archgoat demo cassette Jesus Spawn.

Black Metal
Country : Finland
Year : 2004

New effort of really interesting Stoner/Noise rock from France.

Doom Metal
Label : Suicide Commercial
Country : France
Year : 2011

Totally crazy Stoner metal to groove your head! Promising new band, don't miss them. LP limited to 150 copies, with an handmade serigraphied cover! Great object and great sound.

Rock
Label : Suicide Commercial
Country : France
Year : 2010

Split lp with two classic black metal bands.

Black Metal
Label : Equinox Discos
Country : Spain
Year : 2015

+ insert - black vinyl



Their Kvlt Masterpiece!!

Black Metal
Label : Nuclear War Now!
Country : USA
Year : 2002

Third album of satanic russian black metal attak! Limited to 300 handnumbered copies, including a poster.

Black Metal
Label : Thou Shalt Kill!
Country : Russia
Year : 2013

Rerelease of their second LP. Limited to 300 copies. Cover art re designed by Maya (drums). Printed innersleeves - A2 poster - 180gr black vinyl - 350 gr outer sleeve with matt lamination.

Black Metal
Label : Cryptic Visions Arts
Country : Russia
Year : 2002

including a Poster.

Most original and interesting opus from this horde.

Black Metal
Label : Northern Heritage
Country : Russia
Year : 2015

Primitive Black metal with Tyrant Werewolf from Satanic warmaster. In the early vein of Beherit. Limited to 333 copies.

Black Metal
Label : Painiac
Country : Finland
Year : 2002

Quote from label: "The new revelation of Italian Black Metal scene: Blaze Of Sorrow! Echi is the third album in the band's existence.
Expect stylish Italian Nostalgic Black Metal. A must release for the Italian Black Metal lovers who are into late Spite Extreme Wing."

Black Metal
Label : Sun and moon Records
Country : Italy
Year : 2014

Swedish black metal the traditionnal way.

Black Metal
Label : Unexploded Records
Country : Sweden
Year : 2066

A masterpiece of German Death/Grind!
Reissue version on red wax.

Grind
Label : Cryptic Visions Arts
Country : Germany
Year : 2013

Picture with an outer cover & insert - Killer reissue for this Death Metal's legend. Lim. to 1000 copies.

Death Metal
Label : Painkiller
Year : 2006

Quote from label: "For its contribution, Bunkur chose Carnivore’s “The Subhuman,” as released on the band’s first recording, “Demo ’84.” With the original song clocking in at just over eleven minutes, it is almost certainly the most logical selection from Carnivore’s discography, given Bunkur’s penchant for maximizing the potential for each droning note and vocal wail, and the space in between them, with the result being single songs that have been known to span the duration of entire hour-plus-long albums. In this particular case, “The Subhuman” has been slowed to a pace that essentially doubles the length of the original and, to the uninitiated, might obfuscate the source of its inspiration. Mordor, on the other hand, chose to reinvent “In League with Satan,” a song the band considers to be the heaviest from the immortal Venom’s debut album, “Welcome to Hell.” Drawing heavily on the influence of Laibach’s unique martial/industrial/neoclassical style, Mordor has not only extended the song from its original three-and-a-half minutes to a previously-unimaginable sixteen-and-a-half minutes, but it has also rebranded the song “In League with Wotan.” Beyond simply renaming the track, its thematic focus has appropriately shifted from one of Satanism to one of reverence toward northern Germanic tradition and is thus dedicated to the Lord of Valhalla. Despite the fact that numerous other bands had already covered “In League with Satan,” Mordor’s version incorporates a dramatically new arrangement and rewritten lyrics to match its shift in theme. The combination of these two tracks yields a product that pays homage to our metal heritage and at the same time reaffirms the status of two of the current day’s most innovative and experimental doom bands".

Doom Metal
Label : Nuclear War Now!
Country : Netherlands
Year : 2017

Thrash Black attack! 4 titles filled with the old school spirit,including a cover of "The Trooper" from IRON MAIDEN.

Black/Thrash Metal
Label : DUKE
Country : France
Year : 2009

Excellent Old School Death Metal by Both Acts!
Limited to 500 Copies.

Death Metal
Label : Impious Desecration
Country : France
Year : 2014

Limited to 250 copies.

The whole discography of this infamous horde from France finally available on LP.
18 tracks gathering the various demos, split & eps, and unreleased tracks initially intended to appear on a split LP.
Unholy, Liturgical and Raw as Fuck BLACK METAL.

18 titres de Black Metal sous sa forme la plus pure. Un cantique au Diable aux antipodes de la dégénérescence actuelle de notre scène... Cette oeuvre regroupe tous les titres démos, splits, et eps, ainsi que des titres inédits, initialement prévu pour un split qui aurait du voir le jour sur format vinyle.

"ENCOURAGE PEOPLE TO HATE LIFE"

Black Metal
Label : Projekt' Ill
Country : France
Year : 2014

Aristocratic Ethereal Black Metal - x2 Gatefold 12" LP - silver ink + UV lacquering.

Black Metal
Label : Apparitia
Country : France
Year : 2003

Quote from label: "French Black Metal - 4th & ultimate album from French Black Metal Horde - Cover art by David Thiérrée/ Dark Arts! w/ 12" 8 page Booklet"

Black Metal
Label : Drakkar
Country : France
Year : 2017

Quote from label: "Gatefold 2x12"LP with lyrics, some exclusive pictures & A2 poster. This is a retrospective of CELESTIA's musical past with remastered sound. Including "A cave full of Bats" Mcd, "The Awakening of the Dormant Fiancée" Demo, "A Dying out of Ecstasy" Demo, also material from the split tape with EVIL(Bra) and other material recorded for the SABBAT LP tribute. - Limited to 500 copies".

Black Metal
Label : Apparitia
Country : France
Year : 2009

Quote from label: "Over the last several years, France’s Cénotaphe have unassumingly become one of the most promising new voices in black metal. Operating as a duo—each member with a long and distinguished résumé trailing behind him—multi-instrumentalist Fog performs all of the music, while Khaosgott handles the vocals. The band’s auspicious prior releases (a demo from 2015 and the 2018 Horizons MLP, both on the Finnish label Kuunpalvelus) established a foundation for the band to build upon, and the result is the magnificent Empyrée MLP. In both content and spirit, Cénotaphe draws inspiration from a constellation of 19th century French literary and artistic figures, such as Aloysius Bertrand, Théophile Gautier, Charles Beaudelaire, and the painter, Odilon Redon. It is, however, the poet, Stéphane Mallarmé, who casts the longest shadow over the band. Mallarmé’s work is dense with inscrutable and tangled syntax, every poem an arcane cipher; however, despite his modern and unconventional style, Mallarmé tended to rely on stalwart and traditional poetic forms, like the sonnet. Within the framework of these rigid poetic structures, Mallarmé’s language was itself unconstrained, abstract, exquisitely lawless, but also excruciatingly methodical and intentional.
There is a similar sensibility to Cénotaphe’s work. Regarded from a distance, one might not notice the idiosyncratic details that permeate it because the band remains so true to the form and spirit of black metal. But ensconced within the traditional structure of Cénotaphe’s songs are fractured melodies, disharmonies, sowing atonal discord under the surface of the song, like a violent undertow beneath a seemingly serene sea. The songs on this MLP all have an epic quality to them, and yet, none clocks in at more than seven minutes. The grandiosity of the tracks derives from their strength of composition, not overindulgence. The riffs are expansive, stretching out across the roiling pulse of the drums. The vocals, delivered entirely in French, hang in suspended animation, puncturing the surface of the song at precise points. Occasionally, the band modifies its approach, fleshing out the sound with keyboard flourishes or other instrumentation, but noticeably eschewing the use of guitar solos, despite being clearly in possession of the necessary skill. Nothing feels unintentional about Empyrée; it is a highly sculpted aesthetic creation. The album closes with a curious climax, a track that perhaps offers additional clues about the band’s musical interests: a near-instrumental cover of “End of the World” by the 1960’s Greek prog pioneers, Aphrodite’s Child, known for being Vangelis’ first band. Beginning slow, much the same as the original, the song evolves and accelerates, deftly bringing the album to a frantic crescendo, punctuated with piano notes and wordless vocals. Tying the album together is the cover art, a piece from 1893 entitled “In the Dust Cloud” by the Polish symbolist painter Jacek Malczewski".

Black Metal
Label : Nuclear War Now!
Country : France
Year : 2019

Quote from label: "With the 2015 release of their debut album, “Transient,” Chaos Echœs established themselves as not only one of the most unique bands on the NWN! roster, but one of the most truly innovative bands in the underground metal scene at large—a status reinforced with the release of their second album, "Mouvement." Chaos Echœs continues the psychological and spiritual explorations pursued with their previous works, but whereas the focus of “Transient” was on the individual and the internal forces operating within, “Mouvement” explores the effect of the external on the self—the sharpening of the individual will against the coarse whetstone of world. The music traces a narrative arc, and, other than the break between the sides of the LP, the segments of the composition are seamlessly merged together to create a single piece of music. “Mouvement” begins with a frantic maelstrom of serpentine guitars coiled into a tight knot of anxiety and claustrophobia. The atmosphere is hostile and unsettling. As the first side of the LP progresses, the tension is brought to a boil and then dissipates, carried by an undertow of melancholy into a sea of anguish. Here, the band demonstrates its unique ability to orchestrate dissonance, to weave the frayed threads of entropy into a sprawling and bleak tapestry of emptiness. As the side closes, the mood becomes detached and introverted, a tangle of melodies set adrift in a cavernous bed of reverb draped across a lopsided frame of freeform percussion. The second side of the album opens with the band moving in unison around a snarling riff. It is a willful confrontation, a display of strength in the face of the corrosive forces all around. By the midway point of the side, however, the music becomes repetitious and hypnotic. The cacophony that characterized the earlier portion of the album evaporates into a hazy, ritualistic trance as the individual transcends the world around him. Voices cut through the miasmic field—chanting, conjuring, summoning—guiding the album into a more meditative space. As the side ends, these voices are all that remain. “Mouvement” was meticulously composed and painstakingly recorded, mixed, and edited over the span of two years. The band’s attention to detail is apparent and the impact of the album is stunning. As on “Transient,” the tracks on the new album are structured and stitched together into a larger form such that the whole is greater than the sum of its parts. And as with all Chaos Echœs releases, the accompanying visual artwork, created by Stefan Thanneur, is as magnificent and intrinsic to the impact of the release as the music itself".

Regular Version: Black vinyl LP, gatefold jacket, A2 poster.

Death Metal
Label : Nuclear War Now!
Country : France
Year : 2018

Quote from label: "Die hard edition on clear vinyl with a woven patch and a vinyl sticker. Housed in a clothbound casewrapped jacket stamped with black foil, featuring different artwork from the standard vinyl edition. Includes the same 20-page 12"x12" booklet with spot varnish as the standard vinyl edition.

(Description by J. Campbell)

Deriving their name from the last album by their predecessors, Bloody Sign, Chaos Echoes established themselves as France’s masters of Avant Garde Death after quietly releasing a series of EPs featuring the band’s characteristically unorthodox material. Combining magnificent complexity, an exceptionally high degree of musicianship, and a distinct sense of experimentalism, Chaos Echoes is among the most captivating bands in the underground – a band truly incapable of simple categorization. “Transient” reflects the culmination of Chaos Echoes’ work to date. The album is undeniably unique, yet also firmly rooted in the spirit and substance of metal. It is not the product of outsiders peering into and misappropriating metal elements in the service of some impotent simulacra; rather, “Transient” reflects Chaos Echoes’ deep reverence for Death Metal, their passage through the depths of the genre, and the band’s emergence from its depths to peer beyond. The album is meant to be absorbed as one continuous experience as each of the tracks blends seamlessly into the next. Continuing with the pattern developed on previous releases, the more focused and aggressive tracks on “Transient” are held together by the threads of long, ritualistic, and haunting tracks presented in sequence and referred to, in Burroughsian fashion, as “Interzones.” While the album is rich with an atmosphere of intentional experimentation, the focused intensity of tracks such as “Advent of my Genesis” and the frenetic ecstasy of the climactic closing track, “Soul Ruiner,” reveal the detailed composition and calculated precision of “Transient.” As with all of their previous recordings, the music is the undeniable focus of the release, but it is not intended to be regarded in a vacuum; rather, Chaos Echoes puts nearly as much emphasis upon the accompanying visual content (created by Chaos Echoes bassist and accomplished visual artist, Stefan Thanneur). “Transient” is, by far, the most visually ambitious release in Chaos Echoes’ catalog. Accompanying the LP is a 20-page booklet featuring artwork created specifically as an extension of the band’s sonic explorations. Regarded as a whole, “Transient” is unlike any other metal release to date. A perfect synthesis of conservative reverence for tradition and iconoclastic novelty, Chaos Echoes accomplishes with this album something that, arguably, no band has ever successfully done before".

Death Metal
Label : Nuclear War Now!
Country : France
Year : 2015

Quote from label: "Prior to the release of “Transient,” the band’s formative years yielded a series of three limited releases that, while worthy in their own right, also now serve to retrospectively shed light on the improvisational, creative process that resulted in the early EP, “Tone of Things to Come,” and this year’s masterpiece album. Nuclear War Now! is again honored to partner with Chaos Echoes in the reissue of these three releases, known heretofore collectively as “The Occursus Series.” The earliest of these recordings, “Parisian Sessions / Rehearsal I,” documents the very first session that Chaos Echoes ever played in January 2012. The four improvisations contained within were developed following the blueprint drawn by brothers and bandmates, Ilmar and Kalevi Uibo. “Weather the Storm,” as recorded in this rehearsal session, is an embryonic version of the same song that later evolved and was re-recorded as the final track on the “Tone of Things to Come” EP. Several months later, in August of the same year, the “Duo Experience / Spectral Affinities” recording emerged from a session involving only Ilmar and Kalevi as a duo. This sort of minimalist arrangement was envisioned early in the band’s existence, as it was agreed upon from the outset that the composition of Chaos Echoes would take many forms depending on purpose and circumstance. “Duo Experience / Spectral Affinities” offers a different facet of Chaos Echoes’ music, which in this case is characterized by the experimental ambiances and soundscapes of entirely free-form improvisations. The third and final installment in this series, “A Voiceless Ritual,” was recorded live at La Boule Noire in Paris on September 28, 2013, as a testimony of the band’s first concert with a full lineup. The set consisted of instrumental versions of four songs from the “Tone of Things to Come” EP, all rearranged for the live set, in addition to a brand-new and fully-improvised track entitled “Interzone III: La Boule Noire.”

Death Metal
Label : Nuclear War Now!
Country : France
Year : 2016

Quote from label: "Prior to the release of “Transient,” the band’s formative years yielded a series of three limited releases that, while worthy in their own right, also now serve to retrospectively shed light on the improvisational, creative process that resulted in the early EP, “Tone of Things to Come,” and this year’s masterpiece album. Nuclear War Now! is again honored to partner with Chaos Echoes in the reissue of these three releases, known heretofore collectively as “The Occursus Series.” The earliest of these recordings, “Parisian Sessions / Rehearsal I,” documents the very first session that Chaos Echoes ever played in January 2012. The four improvisations contained within were developed following the blueprint drawn by brothers and bandmates, Ilmar and Kalevi Uibo. “Weather the Storm,” as recorded in this rehearsal session, is an embryonic version of the same song that later evolved and was re-recorded as the final track on the “Tone of Things to Come” EP. Several months later, in August of the same year, the “Duo Experience / Spectral Affinities” recording emerged from a session involving only Ilmar and Kalevi as a duo. This sort of minimalist arrangement was envisioned early in the band’s existence, as it was agreed upon from the outset that the composition of Chaos Echoes would take many forms depending on purpose and circumstance. “Duo Experience / Spectral Affinities” offers a different facet of Chaos Echoes’ music, which in this case is characterized by the experimental ambiances and soundscapes of entirely free-form improvisations. The third and final installment in this series, “A Voiceless Ritual,” was recorded live at La Boule Noire in Paris on September 28, 2013, as a testimony of the band’s first concert with a full lineup. The set consisted of instrumental versions of four songs from the “Tone of Things to Come” EP, all rearranged for the live set, in addition to a brand-new and fully-improvised track entitled “Interzone III: La Boule Noire.”

Death Metal
Label : Nuclear War Now!
Country : France
Year : 2016

Quote from label: "Prior to the release of “Transient,” the band’s formative years yielded a series of three limited releases that, while worthy in their own right, also now serve to retrospectively shed light on the improvisational, creative process that resulted in the early EP, “Tone of Things to Come,” and this year’s masterpiece album. Nuclear War Now! is again honored to partner with Chaos Echoes in the reissue of these three releases, known heretofore collectively as “The Occursus Series.” The earliest of these recordings, “Parisian Sessions / Rehearsal I,” documents the very first session that Chaos Echoes ever played in January 2012. The four improvisations contained within were developed following the blueprint drawn by brothers and bandmates, Ilmar and Kalevi Uibo. “Weather the Storm,” as recorded in this rehearsal session, is an embryonic version of the same song that later evolved and was re-recorded as the final track on the “Tone of Things to Come” EP. Several months later, in August of the same year, the “Duo Experience / Spectral Affinities” recording emerged from a session involving only Ilmar and Kalevi as a duo. This sort of minimalist arrangement was envisioned early in the band’s existence, as it was agreed upon from the outset that the composition of Chaos Echoes would take many forms depending on purpose and circumstance. “Duo Experience / Spectral Affinities” offers a different facet of Chaos Echoes’ music, which in this case is characterized by the experimental ambiances and soundscapes of entirely free-form improvisations. The third and final installment in this series, “A Voiceless Ritual,” was recorded live at La Boule Noire in Paris on September 28, 2013, as a testimony of the band’s first concert with a full lineup. The set consisted of instrumental versions of four songs from the “Tone of Things to Come” EP, all rearranged for the live set, in addition to a brand-new and fully-improvised track entitled “Interzone III: La Boule Noire.”

Death Metal
Label : Nuclear War Now!
Country : France
Year : 2016

Quote from label : "This Cheerleader 69 album, a side-project from vx69, the frontman & singer of the french industrial techno punk machine Punish Yourself, is finally available, digging its inspiration both in the rythms of Test Dept, the ambiances of Coil in their Horse Rotorvator era, and the symphonic lyricism proper to the martial/neoclassing scene. vx69 proposes an excellent record, very personnal & iconoclastic."
Limited to 500 copies. These are some of the 357 limited yellow vinyl copies.

Ambient
Label : Steelwork Maschine
Country : France
Year : 2006

Quote from label: "

Originally these compilation archives were issued in edition of 500 copies and sold 1 per copy from NH mailorder. They were never in wider distribution and pressings have remained smallest CB vinyl editions until now being available again. New versions sound better than old versions, simply due traditional laquer cut masters as opposed to DMM. Slight mastering job has been done, but LP's remain very faithful for original material.


Tracks 1 to 6 are "Demo #1", recorded and mixed during 1998 in various sessions. Material was re-recorded little by little and there were the final versions to be released as 1st demo.

Tracks 7 & 8 are "On The Mission" 7" / tape, recorded and mixed in 1999, after the debut LP. Vinyl 7" was with additional few seconds intro. Sound was highly distorted in vinyl mastering. This mix is from tape version with original sound.

Track 9 is taken from "Northern Heritage Box" 5x7", recorded at the same session as "On The Mission". Original master tape is permanently lost, taken from the vinyl.

Track 10 is taken from "Blackmetal Blitzkrieg" LP, recorded in autumn of 1999."

Black Metal
Label : Northern Heritage
Country : Finland
Year : 2017

Quote from label: "

Originally these compilation archives were issued in edition of 500 copies and sold 1 per copy from NH mailorder. They were never in wider distribution and pressings have remained smallest CB vinyl editions until now being available again. New versions sound better than old versions, simply due traditional laquer cut masters as opposed to DMM. Slight mastering job has been done, but LP's remain very faithful for original material.


Tracks 1 to 3 are "Below The Surface Of Cold Earth" tape, recorded during February 2002, remained exclusively tape release until now despite being one of most professionally produced Clandestine Blaze recording.
Tracks 4 to 8 are "There Comes The Day..." tape, early rehearsal versions of "Fist Of The Northern Destroyer" album from October 2001, including tracks that never appeared on the full length".

Black Metal
Label : Northern Heritage
Country : Finland
Year : 2017

Quote from label: "

Originally these compilation archives were issued in edition of 500 copies and sold 1 per copy from NH mailorder. They were never in wider distribution and pressings have remained smallest CB vinyl editions until now being available again. New versions sound better than old versions, simply due traditional laquer cut masters as opposed to DMM. Slight mastering job has been done, but LP's remain very faithful for original material.


Tracks A1 to A5 are "Goat - Creative Alienation" tape, the 1st attempt to record "Fist Of The Northern Destroyer" album from December 2001. Otherwise very good session was rejected due to minor details, such as unwanted high end distortion in snare drum especially, audible in some fills. Two more tracks of this session was published as bonus 7"/mCD freebie of "Church Of Atrocity" album.
Tracks B1 to B4 are "Blood And Cum" tape. First 3 songs recorded January 2002, 4th song was from autumn 1999, recorded around the same time with compilation track "Black Metal Blitzkrieg"."

Black Metal
Label : Northern Heritage
Country : Finland
Year : 2017

Great Black metal project of Norgaath from Nightbringer, Enthroned, Grimfaug...

Black Metal
Label : Final Sacrifice Records
Country : Belgium
Year : 2016

Con-Dom stands for Control-Domination, and is the one-man industrial noise band of Mike Dando. Con-Dom explores any kind of social tensions and control: political, religious, racial, with an acid, violent and uncompromising attitude. He is well-known in the industrial scene for his furious ravaging vocals and the devastating live performances, in which he turns into a real stage animal.

Recorded & mixed 1998 and 2002

Limited edition of 985 copies.



Power Electronics
Label : Power & Steel
Country : United Kingdom
Year : 2002

Split album of Slovak black metal bands Concubia Nocte and Aeon Winds.

Black Metal
Label : Asgard Hass
Country : Slovakia
Year : 2016

Incredible first full-length.

All music written and arranged by Cruciamentum, except Intro by TenHornedBeast.

Death Metal
Label : Profound Lore
Country : United Kingdom
Year : 2016

Last EP, coming with an etching on B-side.

Death Metal
Label : Hammerheart
Country : Canada
Year : 2015

Black version

4th full length of these french filthy bastards

Doom Metal
Label : Music Fear Satan
Country : France
Year : 2018

high quality vinyl

Black Metal
Label : Peaceville
Country : Norway
Year : 2014

2002 reissue

Special collectors limited edition. Comes in inner sleeve printed with lyrics.

Recorded at Creative Studios.

Catalogue number printed on vinyl labels is LPVILE28.

Black Metal
Label : Peaceville
Country : Norway
Year : 2002

2002 reissue of this cult release in very good condition.

Black Metal
Label : Peaceville
Country : Norway
Year : 1993

Including an exclusive track "Le Silence d'Anna" from an old recording session.
A2 poster and printed inner sleeve.
Limited to 500 copies.



(Description by J. Campbell)
Released on CD in 2005, “L’alliance Des Venins” has long been considered by many to be among the most prominent recordings in the canon of French Black Metal. While Darvulia’s influence may not be as widely recognized as some other French acts such as Peste Noire or those in the LLN camp, the band’s 15 years of existence is a testament to the power of the music. That the band only has eight official releases (including just three full-lengths) to its name during that time is evidence of the deliberate manner by which Darvulia sets about writing and recording material and explains the remarkably high quality of the band’s catalog. “L’alliance Des Venins” is arguably the most substantial statement made by the band, and may easily be considered among the most impressive, if often overlooked, Black Metal releases of the past decade. Darvulia incorporates melody, intensity, and discordance in equal measure into the overall tapestry of its sound. Assertive passages of rapid and sprawling melody give way to mid-paced and down tempo atmospheric segments pregnant with the tension of restraint. Woven throughout the album are astounding riffs that shimmer with melancholy minor key dissonance. The effect calls to mind some of the more atonal aspects of Piggy’s playing in Voivod, but the riffs here are firmly embedded in the sweeping, sorrowful, and decidedly French, Black Metal tradition. The overall impact is wholly unique. No other band in Black Metal quite utilizes shifts in tempo and prominently misaligned harmonies to such tremendous effect. The production on “L’alliance Des Venins” also deserves comment. The album is never blown out or overdriven, leaving intact the disorienting interplay of incongruous notes while also maintaining and merging the visceral attack of each instrument. The production, like the songwriting, never incorporates any extraneous and unnecessary elements, and, in this way, Darvulia relies precisely upon those sounds needed to achieve the desired effect and nothing more. The cover art, a simple rendering of the main de gloire or hand of glory, is as evocative and austere as the music within and bespeaks the potent and mystical aura of death that the album exudes. At its summits, “L’alliance Des Venins” attains a state of grandeur and brilliance of form that casts the album alongside the greatest in the genre. Includes A-2 poster and printed inner sleeve.


Black Metal
Label : Battlesk'rs
Country : France
Year : 2014

CLEAR VERSION

(Description by C. Conrad)
Although the band is entirely French in its nationality and stylistically in its brand of black metal, Darvulia likely derives its name from the Hungarian witch, Anna Darvulia, a servant of the infamous Elizabeth Bathory who is said to have provided Bathory with guidance during the most prolific period of the countess’s notorious atrocities. It is an appropriately adopted moniker, given that the band’s musical output would serve as a fitting soundtrack to the mind of a depraved psychopath. Nuclear War Now’s admiration of Darvulia’s work extends back to the band’s second full-length album from 2005, entitled “L’Alliance des Venins,” which NWN! has credited as being a masterpiece of French black metal. Despite the fact that it has been somewhat overshadowed by the band’s sophomore effort, Darvulia’s third album, “Mysticisme Macabre,” follows the same recipe established by its predecessor five years prior to the latter album’s original CD release by Battlesk’rs Productions in 2010. Another six years later, “Mysticisme Macabre” now receives its first release on vinyl LP format, courtesy of a joint endeavor between Nuclear War Now! and Battlesk’rs Productions.
As with Darvulia’s previous album, “Mysticisme Macabre” is most effective in its entrancing, repetitive song structures. Individual songs tend to abruptly alternate between blisteringly-fast and hypnotically-languid tempos. In combination with the unsettling effect of these contrasting tempo shifts, the riffs further disorient the listener with their unyielding and cyclical progressions among atonal, tremolo-picked chords and dissonantly arpeggiated sequences of notes. Rather than attempt to impress its audience with an unending barrage of constantly changing intracacies, Darvulia instead chooses to leave its mark with the narcotic reduplication of this proven formula. In addition, the abrasively throaty vocals present throughout greatly contribute to the overall portentous nature of the music. Occasionally, as in “Le Rituel des Sept Serpents,” two separate vocal tracks recorded in alternate pitches and deliveries are asynchronously superimposed over each other to further magnify a song’s discomposing outcome. The synthesis of these elements results in an album that serves to confirm Darvulia’s inarguably significant residence in the canon of French black metal.



Black Metal
Label : Battlesk'rs
Country : France
Year : 2016

Regular version with black vinyl LP, gatefold jacket and A2 poster.

(Description by C. Conrad)
Although the band is entirely French in its nationality and stylistically in its brand of black metal, Darvulia likely derives its name from the Hungarian witch, Anna Darvulia, a servant of the infamous Elizabeth Bathory who is said to have provided Bathory with guidance during the most prolific period of the countess’s notorious atrocities. It is an appropriately adopted moniker, given that the band’s musical output would serve as a fitting soundtrack to the mind of a depraved psychopath. Nuclear War Now’s admiration of Darvulia’s work extends back to the band’s second full-length album from 2005, entitled “L’Alliance des Venins,” which NWN! has credited as being a masterpiece of French black metal. Despite the fact that it has been somewhat overshadowed by the band’s sophomore effort, Darvulia’s third album, “Mysticisme Macabre,” follows the same recipe established by its predecessor five years prior to the latter album’s original CD release by Battlesk’rs Productions in 2010. Another six years later, “Mysticisme Macabre” now receives its first release on vinyl LP format, courtesy of a joint endeavor between Nuclear War Now! and Battlesk’rs Productions.
As with Darvulia’s previous album, “Mysticisme Macabre” is most effective in its entrancing, repetitive song structures. Individual songs tend to abruptly alternate between blisteringly-fast and hypnotically-languid tempos. In combination with the unsettling effect of these contrasting tempo shifts, the riffs further disorient the listener with their unyielding and cyclical progressions among atonal, tremolo-picked chords and dissonantly arpeggiated sequences of notes. Rather than attempt to impress its audience with an unending barrage of constantly changing intracacies, Darvulia instead chooses to leave its mark with the narcotic reduplication of this proven formula. In addition, the abrasively throaty vocals present throughout greatly contribute to the overall portentous nature of the music. Occasionally, as in “Le Rituel des Sept Serpents,” two separate vocal tracks recorded in alternate pitches and deliveries are asynchronously superimposed over each other to further magnify a song’s discomposing outcome. The synthesis of these elements results in an album that serves to confirm Darvulia’s inarguably significant residence in the canon of French black metal.




Black Metal
Label : Battlesk'rs
Country : France
Year : 2016

Die Hard version with grey vinyl LP, gatefold jacket, A2 poster, vinyl sticker and woven patch.

Description by C. Conrad)
Although the band is entirely French in its nationality and stylistically in its brand of black metal, Darvulia likely derives its name from the Hungarian witch, Anna Darvulia, a servant of the infamous Elizabeth Bathory who is said to have provided Bathory with guidance during the most prolific period of the countess’s notorious atrocities. It is an appropriately adopted moniker, given that the band’s musical output would serve as a fitting soundtrack to the mind of a depraved psychopath. Nuclear War Now’s admiration of Darvulia’s work extends back to the band’s second full-length album from 2005, entitled “L’Alliance des Venins,” which NWN! has credited as being a masterpiece of French black metal. Despite the fact that it has been somewhat overshadowed by the band’s sophomore effort, Darvulia’s third album, “Mysticisme Macabre,” follows the same recipe established by its predecessor five years prior to the latter album’s original CD release by Battlesk’rs Productions in 2010. Another six years later, “Mysticisme Macabre” now receives its first release on vinyl LP format, courtesy of a joint endeavor between Nuclear War Now! and Battlesk’rs Productions.
As with Darvulia’s previous album, “Mysticisme Macabre” is most effective in its entrancing, repetitive song structures. Individual songs tend to abruptly alternate between blisteringly-fast and hypnotically-languid tempos. In combination with the unsettling effect of these contrasting tempo shifts, the riffs further disorient the listener with their unyielding and cyclical progressions among atonal, tremolo-picked chords and dissonantly arpeggiated sequences of notes. Rather than attempt to impress its audience with an unending barrage of constantly changing intracacies, Darvulia instead chooses to leave its mark with the narcotic reduplication of this proven formula. In addition, the abrasively throaty vocals present throughout greatly contribute to the overall portentous nature of the music. Occasionally, as in “Le Rituel des Sept Serpents,” two separate vocal tracks recorded in alternate pitches and deliveries are asynchronously superimposed over each other to further magnify a song’s discomposing outcome. The synthesis of these elements results in an album that serves to confirm Darvulia’s inarguably significant residence in the canon of French black metal.



Black Metal
Label : Battlesk'rs
Country : France
Year : 2016

Limited pressing of 250 copies on black vinyl + insert

Sektarism's part recorded and mastered in august 2013 at Drudenhaus studio by Xort.

Layout by MystiK Dementia.

Quote from J. Campbell:
Often overlooked, but never disappointing, DARVULIA has consistently produced some of the most unique Black Metal of the last decade. The band’s sparse catalog reflects its dedication to and the complexity of its work. The material on this new release is a departure from the band’s previous releases, however. Consisting of a single, 17-minute track of ritualistic and atmospheric improvisational music that defies simple categorization, Darvulia’s side of this split finds the band exploring more ritual and ambient territory. SEKTARISM, a band that also hails from France, provides a sprawling 20-minute track for the B-side of this release. Sektarism’s unique brand of bleak, ceremonial doom is an appropriate rejoinder to Darvulia’s morose presentation. While Darvulia’s side is sparse, Sektarism’s sound is full, oppressive, and pulverizing. It is persistent in its approach – repetitive, but not monotonous. As Sektarism’s track progresses, it breaks apart and disintegrates into noise laden bass drones that approach the minimalism that characterizes Darvulia’s side of the release. In this way, this split reflects a concerted approach by both bands to attain an atmospheric consistency will still retaining the unique stylistic flourishes of each band.


Black Metal
Label : Nuclear War Now!
Country : France
Year : 2015

+ printed innerbag

Death Metal as it should be.

Death Metal
Label : Norma Evangelium Diaboli
Country : Greece
Year : 2014

12’’EP with poster



Death Metal
Label : Norma Evangelium Diaboli
Country : Greece
Year : 2016

Limited to 300 hand-numbered copies on brown marbled vinyl. "Circle of Scirlin" is a vinyl only track not found on the CD version. Death Industrial with ambient parts.

Ambient
Label : Cold Spring
Country : Sweden
Year : 2008

Limited Edition, Numbered, Red/Orange/Black Marbled

Four piece band both French and Irish. Creating heavy, fuzzy sound and hazy atmosphere in their music. Through haunting vocals and hypnotic rhythms heated from witchcraft to more introspective trips.

For fans of Acid King and Electric Wizard!

Doom Metal
Label : Kozmik Artifactz
Country : France
Year : 2018

Black version

Four piece band both French and Irish. Creating heavy, fuzzy sound and hazy atmosphere in their music. Through haunting vocals and hypnotic rhythms heated from witchcraft to more introspective trips.

For fans of Acid King and Electric Wizard!

Doom Metal
Label : Kozmik Artifactz
Country : France
Year : 2018

Power-Electronics, cymatic weaponry, binaural terror and pineal frequency manipulation rituals harnessed by Antichrist Kramer. Carefully mastered & cut on heavy 12" LP with silver silk-screen on the B-side.

Comes with amazing packaging of a ritual map with instructions on 24"x12" fold out/gatefold cover and 12"x12" inlay in PMS silver printed on heavy black paper. Limited to 369 handnumbered copies.

Power Electronics
Label : New Era
Country : USA
Year : 2018

Brilliant opus of cold and raw Black Metal.

Black Metal
Label : Folter
Country : Italy
Year : 2014

Thick vinyl in black inner sleeve, 24 pages 12" booklet, all done with high printing quality - "The immediate follow-up to 'Si Monumentum Requires, Circumspice', in the sense that it is a conceptual appendix to this release, and that it constitutes a preamble to the actual second chapter of the trilogy.”

Black Metal
Label : Norma Evangelium Diaboli
Country : France
Year : 2005

This LP comes with an insert & A6 card

Black Metal
Label : Norma Evangelium Diaboli
Country : France
Year : 2016

2017 reissue.

Limited edition gatefold cover 350gram, 180gram vinyl + 16 pages booklet, and a black cardboard sleeve with Deathspell Omega logo in red on 1 side.

Black Metal
Label : Norma Evangelium Diaboli
Country : France
Year : 2016

Ad Arma! Ad Arma!

A new monument of Black Art!

Black Metal
Label : Norma Evangelium Diaboli
Country : France
Year : 2019

Red vinyl + 12" insert limited to 75 copies

Quote from label: "French post-black metal act DECLINE OF THE I second album "Rebellion" features seven new tracks maintained in an imaginative post-black metal environment. The music is multifaceted and full of motion.
The album was recorded in Studio de Chine with Khatchik Hovikian (L’odeur du Tchaman), while Xort (Seth, Alcest, Vorkreist, Anorexia Nervosa) took care of the mastering. Layout and artwork were created by the French photographer and filmmaker David Fitt (Aosoth, Secrets of the Moon, Svart Crown). "Rebellion" includes guest appearance by Olivier from Eros Necrospique."

Black Metal
Label : Agonia
Country : France
Year : 2015

Quote from label: "Thunder rumbles from afar as the rain falls incessantly, needlelike, merciless. A wild storm suddenly breaks out and fades out to quietness, nothingness. DÉLUGE The band delivers a razor sharp blend of Black Metal and Post-Hardcore for an incredibly modern, visceral and atmospheric result. The crushing sound of Æther, resulting from the work of Christophe Edrich (The Ocean, Hacride, Klone, …) and Joey Sturgis (Oceano, The Acacia Strain, Born of Osiris,…), will assuredly leave a mark on the swarming Black Metal scene. DÉLUGE can already be counted as one of the future spearheaders of the Black Metal / Post-Hardcore scene. Æther is a combination of thundering drums and scathing riffs wrapped in a stifling frozen atmosphere".

Clear vinyl edition, 2nd press

Black Metal
Label : Les Acteurs de l'Ombre
Country : France
Year : 2018